Yesterday was the solstice, the shortest day of the year; Heather’s father died last Sunday; and we’ve received various other pieces of bad news over the last few weeks. It would be easy, under the circumstances, to give way to fear and sorrow and the belief that we are surrounded by darkness. But I want instead, on the eve of Christmas Eve, and in the wake of Heather’s last post, to talk about light, in particular the light and joy and comfort of love, in particular our love.

Heather and I were classmates and fellow English majors at Williams College. We started dating during the spring of our senior year, which means, for those of you keeping score at home, that we’ve been together for thirty years now, though we didn’t bother to get married until 1985. But I first noticed her during our sophomore year, when we were both taking a course called “Religion and Literature,” taught by a formidable scholar named Barbara Nadel.

Now, neither of us had any business being in this course; we knew very little about literature, despite having declared ourselves English majors, and even less about religion. The course was one of those three-hour seminars that met one afternoon a week, while the syllabus included inscrutable writers like Paul Tillich, Bernard Meland, and Wallace Stevens, which meant that at the end of each class I knew even less than I had at the beginning. The upside was that, since I never had the slightest idea what was going on, I had lots of time to stare at girls, and Heather—glamorous, sophisticated, obviously way out of my league—immediately caught my eye.

She clinched the deal, unwittingly, on the last day of the semester. Babs Nadel, as we irreverently referred to her, had assigned us a final paper, and Heather, as she admitted later, had put it off until she was forced to stay up all the previous night writing it. Moreover, she had come down with a severe cold, which left her severely congested. The combination of lack of sleep and a head full of cotton wool meant that when she came to class that afternoon she sought out the largest individual in class and sat behind him, hoping to avoid catching Babs’s eye. (Babs, terrifyingly, would call on people at random to answer the incomprehensible questions she posed.)

Somehow, Heather had gone that entire semester without once being called on, but of course her number came up on the last day of class. Babs asked some particularly knotty question—I don’t remember what it was; probably something about Stevens—and called on Heather, who had by now slipped into something approaching a comatose state.

Heather later described the awful sensation of gradually coming to consciousness to realize that everyone in the room was staring at her expectantly, apparently awaiting her response to a question she hadn’t even heard. She completely whiffed, of course, and it was at that moment that I said to myself, “THAT’s the girl for me—she’ll never know what hit her!” It took me another two years to wear down her resistance—today I’d probably be arrested as a stalker—but when she finally crumbled, just a few months before we graduated, she quite literally made me the happiest young man in the world.

(Warning to our kids: you probably shouldn’t read this paragraph.) When we first started dating, of course, we were completely in lust with each other, in that embarrassingly hormonal way of young lovers. (When recalling our younger selves, I always think of the Austin Lounge Lizards song “The Golden Triangle,” which contains the lyric “two bodies were thinking with only one gland.”)

Eventually, and perhaps inevitably, that intense youthful passion settled into a steadier, more consistent condition, something like, well, love. We’ve certainly had our ups and downs since then, but the former have vastly outnumbered the latter. We’re still happily married (to each other, I mean); we have three beautiful, thoughtful, and compassionate children; in Madroño Ranch we’ve found a fulfilling, challenging, and just-plain-fun project on which to collaborate now that our nest has emptied. Life, in short, is pretty damn good.

Except, of course, when it isn’t. This is traditionally the season of giving, but this year it has been even more disjointed and chaotic than usual, and we haven’t been feeling terribly festive. I finally decided, just yesterday morning, that the best and most meaningful gift I could give Heather was an attempt to tell her how much I love her, and how much she’s meant to me.

Heather has given me gifts all year round, for thirty years now. The greatest gift of all, however, is one that I have not yet fully unwrapped. I’ve always been of a somewhat gloomy disposition, inclined to see the downside of most situations. (“Expect the worst and you’re seldom disappointed” has been my motto.) Heather, on the other hand, always projects optimism, always expects things to turn out better rather than worse. When I was younger, and for an embarrassingly long time, I tended to think that such a stance was an indication of shallowness and/or naïveté, but slowly, over our years together, I’ve come to realize that it is exactly the opposite. It is, in fact, a conscious and deliberate choice, a rigorous and gallant determination not to give in to darkness and inactivity, but to bestow grace and hope by stubbornly shining light on everyone and everything around you.

I know that my pessimism has often frustrated and disappointed her, and I’m not sure I’ve ever told her how much I admire her patience, her forgiveness, her determination, her spirit, her steadfastness, her depth. I have learned so much from her; I still have so much to learn. Sometimes it can seem that darkness is all there is, but now I know better. Now I know that where there is love, there is always light.

What we’re reading
Heather: Dorothy Sayers, Gaudy Night
Martin: Bill Bryson, At Home: A Short History of Private Life

The relentless sunshine of the current weather here in Austin might make those in the Midwest or on the East Coast sigh with envy. A photo on the front page of Tuesday’s New York Times shows an Ohio man ineffectually fending off the great whorls of snow around him with an umbrella. His head is bent, his shoulders hunched, his attention presumably forced inward. Strangely, as I bask in the sunshine, I’m the one who’s a little envious.

Not of the cold, certainly—I start getting chilly when the temperature drops below eighty degrees. But what I see in the picture is someone forced by the world to withdraw his attention from it, to shift his focus inward, even if it’s just to check in and notice that he’s cold. He won’t be able to stay out for long; he must retreat inside.

In one of her typically wonderful blogs, our friend Joy recently wrote an homage to darkness, to the gestational, inward gaze of the season of Advent. The punch line is, of course, that great discipline is required to move inside at this time of year, when a blizzard of parties, shopping, and end-of-year scrambling—or of loneliness and loss—assaults us. Frequently, we just sit out there in the cold, not realizing that we can go inside. Another friend of mine, prone to good works, told me that when she was pregnant and people called asking her to do something, she would look at her waxing belly and say, “Sorry, I’m busy,” and then go back to sitting quietly. Even as we attend to the frenetic tempo of this singular season, something beckons us, at least occasionally, to go inside and sit, maybe in the dark.

And what awaits us inside, in the dark? Well, any child can you tell that: scary stuff! Chupacabras (that’s one in the picture at the top of this page, by the way)! Things with too many legs and too many teeth and not enough eyes! With too much hair or not enough, with horns and scales and long dirty nails! The list of monsters gets less imaginative but no less scary as we get older: past humiliations and failures, anxieties about money, relationships, reputation, health, death. All those things wait for us in the dark. (Of course, sometimes they wait for us in broad daylight as well.)

But that’s not all that waits there. Wendell Berry, my favorite grumpy sage, has advice on how to get by the monsters:

I go among the trees and sit still.
All my stirring becomes quiet
around me like circles on water.
My tasks lie asleep in their places
where I left them, like cattle.

Then what is afraid of me comes
and lives in my sight.
What it fears in me leaves me,
and the fear of me leaves it.
It sings, and I hear its song.

Then what I am afraid of comes.
I live for a while in its sight.
What I fear in it leaves it,
and the fear of it leaves me.
It sings, and I hear its song.

Those things we fear, according to Berry, have their own songs if we sit still and listen for them. In this particular collection of poems, A Timbered Choir: The Sabbath Poems 1979–1997, the forest is his place of Sunday worship, where he brings his deepest questions and listens to the forest’s exhalations, to the words made of branch rustle and river rush and birdsong, iterations of the original Word spoken by God in the beginning. Berry is not alone when what he is afraid of approaches him; he’s in the midst of a community he knows intimately.

This kind of trope can dissolve into rank sentimentality and cruelty when those in the midst of the light and bustle use it to admonish those sitting in the sight of what they fear to buck up. But Berry’s language in this collection is rooted in an ancient warrant for the practice of sitting in the company of chaos and darkness: when, as God began creating, God shared space with the tohu-bohu, the formless void, with the darkness, and with the deep. Through them came the words: Let there be. And what came to be was good. It sang.

The fears don’t have the last word in the poem: Here’s the final verse:

After days of labor,
Mute in my consternations,
I hear my song at last,
and I sing it. As we sing,
the day turns, the tree moves.

Only after he labors and rests from his labors, after he sits quietly and listens to the songs of what fears him and what he himself fears, does Berry hear his own song. Only then is he able to join the singing already in progress, a singing that harmonizes with a wider reality (the turning of the day) and the immediate reality (the moving of the trees).

Whether or not you’re observing Advent, the deepening shadows of the season encourage most of us to move inside and prepare ourselves for this inexorable guest, darkness. Some of us will cook, some of us will shop, some of us will wrestle with monsters and despair, some will not pause from our labors or notice anything at all. If possible, go sit quietly among the bare trees. Or sit hospitably at home with whatever invisible reality is leavening within you and tell everyone you’re busy. Then go find your community and sing.

What we’re reading
Heather: C. S. Lewis, The Screwtape Letters
Martin: John le Carré, Our Kind of Traitor