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	<title>Madroño Ranch &#187; San Francisco Chronicle</title>
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		<title>The Great Texas Camel Experiment</title>
		<link>http://madronoranch.com/?p=306</link>
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		<pubDate>Fri, 12 Feb 2010 19:27:00 +0000</pubDate>
		<dc:creator><![CDATA[Martin]]></dc:creator>
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		<category><![CDATA[aoudad]]></category>
		<category><![CDATA[camels]]></category>
		<category><![CDATA[Camp Verde]]></category>
		<category><![CDATA[Civil War]]></category>
		<category><![CDATA[desert]]></category>
		<category><![CDATA[Douglas MacArthur]]></category>
		<category><![CDATA[Jefferson Davis]]></category>
		<category><![CDATA[mules]]></category>
		<category><![CDATA[San Francisco Chronicle]]></category>
		<category><![CDATA[Susan Orlean]]></category>
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		<category><![CDATA[The New Yorker]]></category>

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		<description><![CDATA[Susan Orlean’s wonderful story on mules in the military in this week’s issue of The New Yorker mentions one of my favorite, and most unlikely, episodes of Hill Country history: the U.S. Army’s Great Texas Camel Experiment of the 1850s. &#8230; <a href="http://madronoranch.com/?p=306">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<p></p>
<p><a href="http://www.susanorlean.com/index.html" target="_blank">Susan Orlean</a>’s wonderful story on mules in the military in this week’s issue of <em><a href="http://www.newyorker.com/" target="_blank">The New Yorker</a></em> mentions one of my favorite, and most unlikely, episodes of Hill Country history: the U.S. Army’s Great Texas Camel Experiment of the 1850s.</p>
<p>Ultimately, the experiment was a failure; in Orlean’s words, “The camels were superior in terms of strength, but they were vicious, tended to cough up foul-smelling chunks of food, and made horrible groans and roars that terrified the horses.” Still, enough of the beasts went AWOL that for several decades unwary sojourners in the American Southwest occasionally found themselves face to face with a living, spitting embodiment of Oriental exoticism.</p>
<p>Before the Civil War, much of Texas was considered to be part of the “<a href="http://en.wikipedia.org/wiki/Great_American_Desert" target="_blank">Great American Desert</a>,” a vast area of the Southwest that was still largely uninhabited and considered unsuitable for agriculture. American expansionism was about to prove that characterization wrong, at least in the short term, though Timothy Egan’s terrific book <em><a href="http://books.google.com/books?id=np1RwDQfpjsC&amp;printsec=frontcover&amp;dq=timothy+egan+worst+hard+time&amp;ei=G9dxS6HyJaCUNd3rvfMM&amp;cd=1#v=onepage&amp;q=&amp;f=false" target="_blank">The Worst Hard Time: The Untold Story of Those Who Survived the Great American Dust Bowl</a></em> vividly describes the horrific long-term result. But in the mid-nineteenth century, the War Department had to figure out a way to protect settlers and supply lines in this fearsome territory, and decided that using camels, instead of horses or mules, to carry troops and freight might be one way to do so.</p>
<p>The story of the Texas camel experiment actually begins in Florida, where Col. George H. Crosman apparently first thought about using camels for military purposes as far back as 1836. Crosman eventually asked Maj. Henry C. Wayne to look into the idea, and Wayne eventually reported to Secretary of War <a href="http://en.wikipedia.org/wiki/Jefferson_Davis" target="_blank">Jefferson Davis</a> that the experiment would cost a mere $30,000. Congress duly authorized the expenditure in March 1855, and a little over a year later, on April 29, 1856, the naval storeship <em>Supply </em>arrived in <a href="http://www.tshaonline.org/handbook/online/articles/II/hvi11.html" target="_blank">Indianola, Texas</a>, carrying thirty-three of the beasts (both one-hump Arabians and two-hump Bactrians), including one calf that had been born at sea, and three Arabs and two Turks whose job it would be to tend the creatures. The crossing had not been easy; the crew had to tie the camels to the deck during storms so they wouldn’t slide overboard, and the animals proved to be susceptible to seasickness.</p>
<p>On June 4, Wayne finally started his exotic caravan westward toward <a href="http://www.tshaonline.org/handbook/online/articles/CC/qbc29.html" target="_blank">Camp Verde</a>, south of Kerrville, pausing in Victoria to have the camels clipped. The industrious Mrs. Mary A. Shirkey of that town spun and knit a pair of camel hair socks as a gift for President <a href="http://en.wikipedia.org/wiki/Franklin_Pierce" target="_blank">Franklin Pierce</a>, but Pierce reportedly found them so foul-smelling that he refused to wear them.</p>
<p>Wayne put the camels to work ferrying supplies between Camp Verde (a little over ten miles east of the future site of Madroño Ranch, as the crow flies) and San Antonio, with encouraging results. A second boatload of camels arrived in 1857, and some made the long trek to new quarters in California. An officer who led a caravan to the Big Bend country noted in his journal that the camels&nbsp;“performed most admirably,” adding that “No such march as this could be made with any security without them.”</p>
<p>Unfortunately, however, reports soon surfaced that the camels’ wide, soft feet, perfectly adapted for crossing desert sands in North Africa and the Near East, were not well suited to the rocky terrain of the the American Southwest. In addition, the soldiers were not fond of the camels, and vice versa; the officer who led the expedition to California noted that the beasts smelled bad and tended to bite or spit at the troops, and the horses and mules were unable to keep up with them.</p>
<p>Eventually, thanks in part to the complications brought on by the Civil War, the army decided to get out of the camel business. Some of the animals were sold to zoos, circuses, and mine operators. Others were simply turned loose to wander the Southwest; in 1885, the five-year-old <a href="http://instapunk.com/images/Douglas_MacArthur.jpg" target="_blank">Douglas MacArthur</a> was terrified when he unexpectedly encountered one of the unlikely beasts near an army fort in New Mexico. Ten years later, the <em>San Francisco Chronicle</em> noted that “Many a passenger on the Southern Pacific railroad trains has had a sight of some gaunt, bony and decrepit old camel away off in the distance.” Today, the last of the original camels has long since disappeared, though a metal statue in front of the <a href="http://www.campverdegeneralstore.com/Home.html" target="_blank">Camp Verde General Store</a> commemorates their presence, and the <a href="http://www.texascamelcorps.com/default.asp" target="_blank">Texas Camel Corps</a>, a dedicated group of enthusiasts, keeps a number of the animals for pack trips, commercials, Christmas pageants, and the like.</p>
<p><em>Medina’s Early Days, </em>one of the late <a href="http://madronoranch.com/?p=299">Dorothy Hatfield Ferguson</a>’s books of local history, includes the reminiscences of James Washington “Okra” Walker, who worked with the camels at Camp Verde. Walker was born in 1847, and in 1862, with the Civil War underway, decided to join the army and have a share in the fighting. Instead, much to his chagrin, the fifteen-year-old orphan found himself assigned to take care of the camels at Camp Verde. Looking back on the experience years later, Okra grudgingly admitted that the camels did have some advantages over other beasts of burden, principally “the ability to do without water for an incredibly long time,” but he never really warmed up to them, noting that “they weren’t as easy to look at as a good cuttin’ pony.” Moreover, they seemed much given to malingering, held grudges for any perceived mistreatment, and had the habit of spitting on those they didn’t like. “They also frightened the mules and horses and generally looked mighty out of place.”</p>
<p>When the experiment finally ended, Okra Walker, for one, was not sorry to see them go: “I guess I’d fooled with those beasts so long, and was [so] disgusted that I’d had to herd camels instead of fighting in the Civil War, that I never as much [as] asked one question pertaining to those camels or the buyer’s plans for them&#8230;. When those camels left Camp Verde, they went out of my life forever. I shouted after them, ‘Thank God you’re gone!’”</p>
<p>We have no plans to acquire camels for Madroño—I’m pretty sure Robert, our manager, would kill us if we did—but I like to imagine them roaming the ranch’s hills like the <a href="http://texas-hunting.net/sitebuildercontent/sitebuilderpictures/Aoudadadj.jpeg">aoudads</a> and other fugitive exotics we occasionally see today. And who knows? Perhaps the great-grandchild of some Arabian or Bactrian import is still out there, running free and gazing down at us with that inimitable camelicious mixture of disdain and amusement, sneering, “I’ll never be <em>your </em>beast of burden.”</p>
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<p><strong>What we’re reading<br />
Heather:</strong> Philip Pullman, <em><a href="http://www.amazon.com/Materials-Trilogy-Golden-Compass-Spyglass/dp/0440238609/ref=sr_1_2?ie=UTF8&amp;s=books&amp;qid=1265903680&amp;sr=1-2">His Dark Materials</a> </em>trilogy<br />
<strong>Martin:</strong> Ted Gioia, <em><a href="http://books.google.com/books?id=mSbw5i0x_5sC&amp;printsec=frontcover&amp;dq=ted+gioia+delta+blues&amp;ei=i99yS4OXBpPSM8vs6IEE&amp;cd=1#v=onepage&amp;q=&amp;f=false">Delta Blues: The Life and Times of the Mississippi Masters Who Revolutionized American Music</a></em></p>
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		<title>Extra! Americans losing sense of place!</title>
		<link>http://madronoranch.com/?p=295</link>
		<comments>http://madronoranch.com/?p=295#comments</comments>
		<pubDate>Thu, 19 Nov 2009 19:30:00 +0000</pubDate>
		<dc:creator><![CDATA[Martin]]></dc:creator>
				<category><![CDATA[Place]]></category>
		<category><![CDATA[Austin American-Statesman]]></category>
		<category><![CDATA[craigslist]]></category>
		<category><![CDATA[Harper's]]></category>
		<category><![CDATA[newspapers]]></category>
		<category><![CDATA[nineteenth century]]></category>
		<category><![CDATA[San Francisco]]></category>
		<category><![CDATA[San Francisco Chronicle]]></category>
		<category><![CDATA[sense of place]]></category>

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		<description><![CDATA[One of the things that we hope will characterize Madroño Ranch: A Center for Writing and the Environment is a strong sense of place. It’s right there, implicitly and explicitly, in our mission and vision statements, just off to your &#8230; <a href="http://madronoranch.com/?p=295">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/_i36agCMMxBU/SvnwminlK0I/AAAAAAAAAKM/djmMGVyVkeg/s1600-h/paperboy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" src="http://3.bp.blogspot.com/_i36agCMMxBU/SvnwminlK0I/AAAAAAAAAKM/djmMGVyVkeg/s320/paperboy.jpg" /></a></div>
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<p>One of the things that we hope will characterize Madroño Ranch: A Center for Writing and the Environment is a strong sense of place. It’s right there, implicitly and explicitly, in our mission and vision statements, just off to your right.</p>
<p>But how does one develop a sense of place? One answer, at least in part, and for those of us of a certain age, has been by reading the local newspaper. But the newspaper as we know it seems to be going the way of the <a href="http://i.telegraph.co.uk/telegraph/multimedia/archive/01469/eight-track_1469837i.jpg" target="_blank">8-track</a> and the <a href="http://upload.wikimedia.org/wikipedia/commons/a/ab/VHS-Kassette_01_KMJ.jpg" target="_blank">VHS tape</a>. Increasingly, people opt to get their news in a way that doesn’t leave ink smudges on their hands, or require drying in the oven on rainy mornings. In other words, they&#8217;re reading the “paper” online.</p>
<p>In “Final Edition: Twilight of the American Newspaper,” in the November issue of <em><a href="http://www.harpers.org/" target="_blank">Harper’s</a>,</em> Richard Rodriguez examines the decline of his (and my) hometown paper, the <em><a href="http://www.sfgate.com/chronicle/" target="_blank">San Francisco Chronicle</a>,</em> and the historical importance of the newspaper in American life.</p>
<p>The press, Rodriguez argues, was the indicator and bestower of civic stature: “It was the pride and the function of the American newspaper in the nineteenth century to declare the forming congregation of buildings and services a city—a place busy enough or populated enough to have news.” In addition, the rise of the newspaper was a sign of the small-d democratic nature of American culture, “a vestige of the low-church impulse toward universal literacy whereby the new country imagined it could read and write itself into existence.”</p>
<p>But, for many, the newspaper seems to have outlived its usefulness. The <em>Atlantic Monthly</em>’s Megan McArdle, in an online (of course) column titled “<a href="http://meganmcardle.theatlantic.com/archives/2009/10/the_media_death_spiral.php" target="_blank">The Media Death Spiral</a>,” writes, “The circulation figures for the top 25 dailies in the U.S. are out, and they’re horrifying. The median decline is well into the teens; only the <em>Wall Street Journal</em> gained (very slightly).”</p>
<p>She adds, “I think we’re witnessing the end of the newspaper business, full stop, not the end of the newspaper business as we know it. The economics just aren’t there.”</p>
<p>Those of us who read the <em><a href="http://www.statesman.com/" target="_blank">Austin American-Statesman</a> </em>have noted the signs already: a shrinking paper, meaning fewer ads and less revenue; the anorexic classifieds (a victim of <a href="http://www.craigslist.org/about/sites" target="_blank">craigslist</a>) tacked onto the back of the Life and Arts section; the business and metro sections combined.</p>
<p>Why should we care whether or not the <em>Statesman</em> survives? According to Rodriguez, “When a newspaper dies in America, it is not simply that a commercial enterprise has failed; a sense of place has failed. If the <em>San Francisco Chronicle</em> is near death&#8230; it is because San Francisco’s sense of itself as a city is perishing.&#8221;</p>
<p>Does he exaggerate? Maybe. But once the newspapers are gone, he asks, “who will tell us what it means to live as citizens of Seattle or Denver or Ann Arbor? The truth is we no longer want to live in Seattle or Denver or Ann Arbor. Our inclination has led us to invent a digital cosmopolitanism that begins and ends with ‘I.’”</p>
<p>Rodriguez quotes a friend of his, a journalist from India: “If I think of what many of my friends and I read these days, it is still a newspaper, but it is clipped and forwarded in bits and pieces on email—a story from the <em>New York Times,</em> a piece from <em>Salon,</em> a blog from the <em>Huffington Post,</em> something from the <em>Times of India,</em> from YouTube. It is like a giant newspaper being assembled at all hours, from every corner of the world, still with news but no roots in a place. Perhaps we do not need a sense of place anymore.”</p>
<p>That statement really bothers me, for a couple of reasons. I can understand the appeal of what Philip Meyer, a student of the industry, calls “the demassification of the media”; in the bottom-up model of journalism, each consumer is free to pick and choose the information he or she deems most valuable, rather than being forced to rely on the judgment of a corporate editor. What could be more democratic?</p>
<p>But such a model does come with a cost. As Meyer writes in his book <em><a href="http://books.google.com/books?id=DRRxF-GO0ygC&amp;printsec=frontcover&amp;dq=the+vanishing+newspaper&amp;ei=2vD5Sv7qEJ-CygTDxtD8Dg#v=onepage&amp;q=&amp;f=false" target="_blank">The Vanishing Newspaper: Saving Journalism in the Information Age</a>,</em> “If we’re all attending to different messages, our capacity to understand one another is diminished.”</p>
<p>And what about that speculation from Rodriguez’s friend, “Perhaps we do not need a sense of place anymore”? Perhaps not. But I don’t want to live in a world where people no longer feel connected to the land and the people around them. In a society that has traditionally viewed “light[ing] out for the territory,” in the words of that old newspaperman <a href="http://www.thewildlandpress.com/images/Marc_Twain.jpg" target="_blank">Mark Twain</a>, as the solution to every problem, how do we convince folks that they have a stake in, and a responsibility to, their surroundings? As strip malls and chain stores and fast-food outlets and <a href="http://www.flatrock.org.nz/topics/environment/assets/denver_suburbs.jpg" target="_blank">cookie-cutter housing developments</a> and, yes, the internet make every place more like every other place, how are we supposed to know or care where we are?</p>
<p>I don’t know the answer to that question, but I think we better find one. People who feel strongly connected to their surroundings, urban or rural or in between, feel that the place is theirs; they know it, feel it, eat it, sleep it, and live it. They’re also more likely to take care of it. I certainly hope that the things that make Madroño Ranch special to us—the hills, the water, the rocks, the trees—will outlive us, and our children, and our children’s children, and we intend to do all we can to make sure they do.</p>
<p><strong>What we’re reading<br />
Heather:</strong> Mary Oliver (ed.), <em><a href="http://www.amazon.com/Best-American-Essays-2009/dp/0618982728/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1257970495&amp;sr=8-1" target="_blank">The Best American Essays 2009</a></em><br />
<strong>Martin:</strong> Douglas Brinkley, <em><a href="http://www.amazon.com/Wilderness-Warrior-Theodore-Roosevelt-Crusade/dp/0060565284/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1257895876&amp;sr=1-1" target="_blank">The Wilderness Warrior: Theodore Roosevelt and the Crusade for America</a></em></p>
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