Last week I started rowing again after an eight-month hiatus. It has been pure pleasure, despite the inevitable price of blisters on my baby-soft hands. First, the pleasure of seeing my friends at the dock, including the ducks and C.J. the chocolate Lab, who howled and wagged when he saw me; next, the pleasure of reestablishing a relationship with a boat in the water, negotiating the jostling demands of wind, current, oars, river geography, swans, kayakers, and my own stiff body; finally, the pleasure of being on the river itself, of seeing what has changed and what remains the same. The water changes quite literally with each breath; despite the dams, it’s still a living river. Trees and boulders have grown or fallen. Purple martins have replaced cormorants. And yet something persists, apparently unmoved by the passage of time. I’ve missed being on the river.

In the meantime, I was seeing another river, or at least imagining it. Martin has just finished reading Wendell Berry’s novel Jayber Crow aloud to me, also pure pleasure. As have my rowing muscles, my reading-to-myself muscles have atrophied, and Martin reads with accents tailored to the characters and inflections appropriate to the plot. We’ve read like this for about a year now, usually at bedtime. Sometimes we can’t help but sneak-read in the daytime, wanting to be swept downstream by the whorls and eddies of words, characters, and plot like river-rafting thrill seekers.

One of the main characters of Jayber Crow is the river that runs through the valley in which the story is set. Jayber, the narrator of the novel and the barber of Port William, Kentucky, is a river-watcher as well. Late in his life and in the novel he asks:

How many hours have I spent watching the reflections on the water? When the air is still, then so is the surface of the water. Then it holds a perfectly silent image of the world that seems not to exist in this world. Where, I have asked myself, is this reflection? It is not on the top of the water, for if there is a little current the river can slide frictionlessly and freely beneath the reflection and the reflection does not move. Nor can you think of it as resting on the bottom of the air. The reflection itself seems a plane of no substance, neither water nor air. It rests, I think, upon quietness. Things may rise from the water or fall from the air, and, without touching the reflection, break it. It disappears. Without going anywhere, it disappears.

For Jayber, the reflection is an image, so to speak, of the divine, of how divinity is in this world and how it thwarts any logic that would fix that divinity in one place or locate it. It rests upon a condition rather than a location, on a “how” rather than a “where.” How can this condition be in the world? In quietness, says Jayber—a quietness that I think is born when the worlds outside and inside a person are married together. The natural world always carries its own quietness as it moves through time, but we humans need to practice marriage to know this quietness.

Honestly, I’m not sure what I’m trying to say by pulling marriage into this already multi-tentacled discussion, but having just made it to the other side of our twenty-seventh wedding anniversary, and given the national discussion on what makes a marriage, I’ve been thinking. (Those three words always fill Martin with foreboding.) If you take Jewish and Christian scripture seriously, marriage is that process by which two people become one flesh. This process requires rending; each must leave his or her parents and cling to the other in order to become one flesh. After this rending and clinging, they stand before each other naked and are not ashamed.

As a youngster I thought that becoming one flesh was merely a reference to sexual congress, the least generative and generous level of meaning in this most profound of texts. As an older-ster, I know that becoming one flesh can include sexual encounter but that the two are very distinct realities. Becoming one flesh may, in fact, begin with the self, with learning to bridge the slippery banks of individual consciousness and the physical body, so often at odds with each other. I’ve come to see cancer as an icon of this struggle, our stuttering inability to conjugate the distinctive languages of consciousness and its endless mysteries and of body and its appetitive requirements. To live as one flesh in the river of the self seems to require an awareness of the reflection that Jayber noticed, the reflection that rests on quietness—a sort of third party that allows the hands of consciousness and bodiness to hold each other, to mingle and flow into the river between them. Of course, to live as one flesh within a single body—to be married to yourself, and thus whole—is a work that flows as endlessly as a river, but that allows those glancing moments of standing naked and unashamed.

To include someone else in the work to become one flesh… well. It requires an endless series of rendings and cleavings from the past, from what has been, to create something new, the way a river changes every day and yet is still the same river. Sex can be a sign of one-fleshness, but is just as likely to be a hindrance. Only when that third party of quietness, that generous generative flow between the banks of two bodies that reflects something beyond itself—only when the three are present can there be one flesh. When the possibility of being one flesh reveals itself—within the self, within the couple—that body begins to grow, including within itself children, friends, strangers, enemies, the world itself. The capacity for stepping off the banks of the self into the river, beckoning those on the other side to join in, might manifest itself just a few times in a person’s life, or never, or every day. A few people barely towel off before they jump back in, married to the whole world and all that’s in it, no time for messing with clothes or shame.

So practicing marriage is not the same as being married. One training ground I’ve found for the practice of marriage has been reading aloud. It’s something children know immediately, that a story read or told aloud is an opportunity for teller and listener to jump into a river of words and ride them together, making a net of meaning that holds them even when they scramble up their different banks at the end of the story. That’s why the practice of reading scripture aloud is so important; it allows people to jump together off the banks and into its great narrative flow.

It’s been instructive to be a child again as Martin reads aloud and I listen, creating for us a net of meaning through both rough and placid rides. Even if we spend the day ignoring the other across the bank, or throwing rocks, we climb together into that river of words, emerging refreshed (or sometimes asleep) or even naked, when one of us is moved to tears or left helpless by laughter.

That’s why, with so many figurative rivers running, I’m happy to be back on (if not in) a literal river: yet another chance to practice marriage.

What we’re reading
Heather: Charles Dickens, Bleak House
Martin: Charles Mann, 1491: New Revelations of the Americas Before Columbus (still)

Some of you may not know that I am officially a Published Author and therefore—let’s face it—kind of a big deal, but it’s true. And I have to confess that I’ve never really gotten over the thrill of seeing my name on a book cover, which is highly, even dangerously, addictive.

I was reminded of my own importance recently when I was asked to moderate a session at this weekend’s Texas Book Festival. The session is called “A Level Playing Field: Texas Baseball in Black and White,” and features two books about race and Our National Pastime: Our White Boy, by Jerry Craft, and Playing in Shadows: Texas and Negro League Baseball, by Rob Fink. Apparently my friend Dick Holland, the former head of the Southwestern Writers Collection at Texas State University, suggested me as a moderator because he recalled that, many years ago, I had written a book about baseball.

What Dick, and the organizers of the book festival, probably didn’t know is that I was quite possibly the most naïve first-time author in the history of the publishing industry. If there was a mistake to be made in the course of writing and selling a manuscript, I probably made it; heck, I probably made some mistakes that hadn’t even existed before. Even today, the full extent of my ignorance fills me with awe.

Now, I’ve been a baseball fan since childhood, but this particular misadventure started about twenty years ago. After that tirelessly self-promoting cretin Pete Rose was busted for gambling, I became obsessed with an early twentieth century major league star named Hal Chase, for reasons that remain obscure; perhaps I read something comparing Rose and Chase, though I honestly can’t recall. Chase was phenomenally talented, handsome, charismatic, and also, apparently, an incorrigible cheat; in fact, he was accused (though never convicted) of helping to arrange the infamous Black Sox scandal. I decided to write an article about him for The National Pastime: A Review of Baseball History, the annual journal of the Society for American Baseball Research. In the course of researching and writing the article, I began to think that somebody should write a book about Chase, and I couldn’t think of a single reason why that somebody shouldn’t be me.

In reality, of course, there were plenty of reasons why that somebody shouldn’t be me, including the fact that I knew absolutely nothing about the publishing industry. Did I need an agent, or should I try to sell the manuscript myself? Should I write it on spec, or should I hold off until I found a publisher willing to pony up an advance? In retrospect, the story of how I became a genuine published author is filled with missteps, ineptitude, and, ultimately, blind luck. I offer it up here as a cautionary tale to other would-be authors.

I’m ashamed to admit that it took me almost a decade to produce an actual finished book. In my defense, I was working on it mostly on weekends, since I had a full-time job, a wife, and two young children. In truth, though, the research and writing was the fun part; the hard part was trying to figure out what to do if I ever actually finished the thing. Early on, a dear college friend suggested I seek advice from her sister, a big-time literary agent in New York (she represented A. S. Byatt, among others). I had no illusions that she would want to represent me herself—I was a nobody, and besides, she specialized in fiction—but she said she’d be glad to offer some suggestions if I sent her a sample of my writing. I sent her a draft chapter or two, and she wrote me back to say she really liked them and would like to take me on as her client.

Well, heck, I thought, this writin’ business is easy! I had found myself a real agent right out of the box. Piece of cake.

Meanwhile, I was grinding away on my research. On weekends, I’d head to the Library of Congress, where I spent countless hours cranking through film of daily newspapers. I traveled, at my own expense, to Cooperstown and San Jose and Tucson to conduct research and interviews. In 1994 I even wangled an introduction to Ken Burns, hoping to convince him that Chase should feature prominently in his forthcoming documentary Baseball; he listened patiently, and later very graciously put me in touch with Chase’s granddaughter, who was estranged from the rest of the family.

Probably the best thing I did in the course of my research was put one of those “author seeking information” notices in the New York Times Sunday Book Review. Soon thereafter I received a letter from the director of the University of Illinois Press, who said that he had seen my notice and thought my book sounded like one in which they’d be interested; I thanked him and smugly referred him to my big-shot New York agent.

Some time later I got another note from him saying that he had never gotten a response from my agent. Then I realized that she wasn’t responding to my letters and phone calls either.

After a year or so it became clear even to me that she wasn’t actually doing anything on my behalf; I suspect now that she had agreed to take me on as sort of a favor, given the connection with her sister, but (perhaps understandably) I had ended up at the bottom of her list. I finally sent her a polite letter saying that I had decided to end our relationship. (She never answered it.)

So I was back at square one. Illinois was no longer interested, and neither, after an initial flirtation, was Oxford University Press, but I finally found my own way to McFarland and Company, an outfit in North Carolina that published a number of baseball history books. I imagined battling with their editorial staff over word choice and the overall structure of the manuscript, like Tom Wolfe and Maxwell Perkins; instead, they ran exactly what I sent them. They told me that they would publish my book in paperback only, which was mildly disappointing, but I was in no position to argue.

Hal Chase: The Defiant Life and Turbulent Times of Baseball’s Biggest Crook finally appeared in 2001, and as of this writing ranks 1,655,584th in sales on Amazon.com. (Woo hoo!) The nice people at McFarland send me annual royalty checks (typically for about thirty-seven dollars), which allow me to call myself a professional writer. With any luck, I’ll never actually sit down and calculate the amount of money I’ve earned from my book versus the amount of money I spent producing it.

The really scary thing, though, is that I’m sometimes tempted to try it all again. Just this week, while we were having lunch, my son asked me when I was going to write another book, and it got me thinking again about that idea I had several years ago, for a biography of the old R&B singer Chuck Willis….

See? This writing business is just like crack.

What we’re reading
Heather: Wendell Berry, Jayber Crow: The Life Story of Jayber Crow, Barber, of the Port William Membership, as Written by Himself (again!)
Martin: Ingrid D. Rowland, Giordano Bruno: Philosopher/Heretic (still!)

It’s the end of July (or, as we call it in Texas, “late spring”), so I’ve been thinking a lot about summer reading, which has almost become a sort of cliché. There’s a lot to be said for curling up with a good book on a cold, wet winter day, of course, but nobody talks about “great winter reading.” No, it’s summer reading that gets all the press.

For some, summer’s a time to dip into a book we would only read on the beach or in the vacation cabin, the literary equivalent of comfort food—meatloaf, say, with a big pile of mashed potatoes on the side. Thrillers and mysteries tend to fall into this category.

For others, summer’s slower pace is the perfect time to tackle the classics, those monumental books we’ve always felt we ought to read but have never quite gotten around to. Reading these books can feel a little bit like eating several helpings of healthy vegetables, instead of doubling down on the meatloaf and mashers; but that, of course, can make you feel very virtuous indeed. Proust? Sure! Tolstoy? Bring it, baby!

As for me, certain books will forever conjure summer in my mind, and I can’t even tell you why. Here’s my (very) personal top ten, with brief annotations, in alphabetical order by author:

Brendan C. Boyd and Fred C. Harris, The Great American Baseball Card Flipping, Trading and Bubble Gum Book. What could possibly be more evocative of an American summer (if you’re Of a Certain Age, that is) than a book of color photos of baseball cards from the 1950s and 1960s, accompanied by wise-ass commentary? Samples: “Earl Torgeson’s two favorite activities were fist-fighting and breaking his shoulder, both of which he did whenever he got the chance.” “Albie Pearson would have been, had he been only six inches taller, almost 5’11”.” And so on.

Richard Bradford, Red Sky at Morning. In this coming-of-age novel, teenager Josh Arnold and his high-strung Southern belle mother move from Mobile, Alabama, to the mountains of New Mexico during World War II and try, with mixed success, to adjust to a new culture and climate. Perhaps the funniest book I’ve ever read, and also one of the sweetest and most moving.

Doris Kearns Goodwin, Team of Rivals: The Political Genius of Abraham Lincoln. A brilliant examination of how Lincoln shrewdly and gently won over some of his bitterest political enemies. In particular, I found the depiction of William Seward’s change of heart—by the time of Lincoln’s assassination, Seward worshipped him—profoundly moving. Goodwin is a wonderful writer, capable of making the familiar feel new: while I was reading this book for the first time, Heather came home one day to find me sitting in a chair, the book in my lap and tears running down my cheeks. “What’s wrong?” she asked anxiously. “They just shot Lincoln!” I sobbed.

Kenneth Grahame, The Wind in the Willows. Probably my favorite book when I was a boy; I don’t know how many times I’ve read it, but it must be several dozen by now. The adventures of Mole, Ratty, Mr. Toad, Badger, and all their friends turned me into a lifelong Anglophile, and the drawings by Ernest Shepard (who also illustrated that other English classic, A. A. Milne’s Winnie-the-Pooh) are masterpieces. Nothing evokes the gentle pleasures of an English summer like this book. Oh bliss! Oh poop-poop!

Tracy Kidder, Home Town. I love just about everything I’ve ever read by Tracy Kidder, who I think is perhaps the finest nonfiction writer in the nation, but this is probably my favorite: a close-up of Northampton, Massachusetts, through the eyes of native son Tommy O’Connor, a cop who loves his hometown and touches a diverse (to say the least) cross-section of its citizenry. Highly recommended for anyone who’s ever felt a deep connection to a place, or anyone who’s ever wanted to.

Dennis Lehane, The Given Day. This historical novel interweaves the stories of Danny Coughlin, a young Irish-American cop, and Luther Laurence, a young African-American fleeing criminal violence, in Boston at the end of World War I. Actual events (the flu epidemic, the Boston police strike, the Red Scare) and characters (J. Edgar Hoover, Calvin Coolidge, and, most notably, Babe Ruth) lend the book the texture of reality, while Danny and Luther and the women they love attempt to survive against long odds.

Larry McMurtry, Lonesome Dove. I confess I can no longer read this without thinking of the miniseries—Robert Duvall, Tommy Lee Jones, Diane Lane, et al.—but the book itself is wonderfully suited for reading aloud on summer road trips, as we’ve proven repeatedly over the years while driving to or from Colorado and New Mexico.

J. K. Rowling, the Harry Potter series. Well. What can I say? We all loved all these books. Some of my favorite summer reading memories with the kids involve rushing out (to our neighborhood Randall’s, of all places) to buy multiple copies of the latest Harry Potter book on the day it came out, and then the hush—not quite absolute, but punctuated by occasional snorts and gasps and “How far are you?”s—that fell over the house as each of us burrowed immediately into his or her copy.

Alexander McCall Smith, The No. 1 Ladies Detective Agency series. Not really mysteries, despite the title, but the wise and gentle adventures of the sweet but determined and “traditionally built” Precious Ramotswe, the first woman private investigator in Botswana; Mr. J. L. B. Matekoni, her suitor and the proprietor of Tlokweng Road Speedy Motors; Grace Makutsi, Mma Ramotswe’s hyperconscientious assistant; and various others as they confront a succession of quiet moral and ethical challenges.

Wallace Stegner, Angle of Repose. A heartbreaking novel about the American West and the people who struggle to live in it, and the most harrowing and realistic fictional portrayal of a marriage I’ve ever read. Framed by the narration of a retired and embittered history professor, the novel is really the story of his grandmother, a refined nineteenth-century Easterner who marries an ambitious young mining engineer and embarks on a peripatetic life of frustration and accommodation.

So there you have it: ten of my seasonal favorites, right up there with fresh peaches and gin and tonics. Won’t you tell us yours, Dear Reader?

What we’re reading
Heather: Ellen F. Davis, Scripture, Culture, and Agriculture: An Agrarian Reading of the Bible (again)
Martin: A. J. Jacobs, The Know-It-All: One Man’s Humble Quest to Become the Smartest Person in the World

Time for the next installment in our much-anticipated series of lists (our first two were on our top ten songs about Texas and our top ten books on the environment)! This time, we thought we’d offer up our ten favorite books, both fiction and nonfiction, about the Lone Star State.

Roy Bedichek, Adventures with a Texas Naturalist
Sarah Bird, The Mommy Club
H. G. Bissinger, Friday Night Lights: A Town, a Team, and a Dream
Billy Lee Brammer, The Gay Place
Oscar Casares, Brownsville: Stories
John Graves, Goodbye to a River: A Narrative
Stephen Harrigan, The Gates of the Alamo
Cormac McCarthy, All the Pretty Horses
Larry McMurtry, Lonesome Dove
Frederick Law Olmsted, A Journey Through Texas; or, a Saddle-Trip on the Southwestern Frontier

All right, all you Lone Star literati, let us have it. What classics have we missed and/or forgotten?

What we’re reading
Heather: Shelley Silbert, M. Gay Chanler, and Gary Paul Nabhan (eds.), Five Ways to Value the Working Landscapes of the West
Martin: West Marin Review: A Literary and Visual Arts Journal

On our very brief trip to Massachusetts last weekend, Martin and I drove straight from Boston’s Logan Airport to Concord in hopes of glimpsing one of the hotbeds of American utopian thinking before the winter sun set. Driving through snowy woods and by quaint (and probably drafty) colonial homes, it was clear that we were a loooong way from Texas.

On the plane, Martin was reading a compilation of Henry David Thoreau’s writings. Martin reading is not an unusual sight. Noteworthy was the fact that he was underlining in the book, something I have never seen him do in nearly thirty years of pretty continuous association. (Our ongoing “discussion” over the propriety of marking up books could well be the subject of another blog.) For the first time, he just couldn’t help himself; Thoreau’s aphoristic and slyly funny prose begged for some kind of physical interaction. In the same vein, he required me to listen or read for myself what so tickled him. Thoreau’s spirit, utterly inaccessible to Martin (and me) when Walden was assigned reading in high school, was suddenly uncontainable and had to be shared.

I found this slightly annoying. The snippets I heard and read clashed with what I was reading on the plane, Lorrie Moore’s A Gate at the Stairs, a somewhat dystopian novel about post-9/11 life in a Midwestern university town, narrated by a woman student raised on a nearby farm by early organic-minded parents. Thoreau’s mid-nineteenth-century voice felt arch and artificial in comparison and the contrast was grating, like walking from a quiet, dim study into the brightly lit noise of a teenager’s room. But the shock of seeing Martin underline in a book stunned me into keeping, just barely, a receptive ear.

We conquered the tangle of highways to Concord with only a few wrong turns. Walking into Orchard House, the Alcott home (Louisa May, Bronson, et al.), at 2:58 and knowing that it closed at 3 (that’s me approaching the front door in the photo above), we played the we’ve-traveled-so-far card and won a wonderful private tour with a sympathetic and knowledgeable docent. Although Little Women may have a sentimental ring to twenty-first-century ears, it resonates with the profoundly utopian thinking—and physically taxing reality—of the world Louisa May Alcott lived in. Orchard House showed signs of both worlds: charming eccentricities (Louisa’s sister May’s sweet pre-Raphaelite pencil drawings on her bedroom walls) and structural frailties (buckling floors, chilly drafts).

Bronson Alcott, Louisa’s father, was a visionary of the first order, rarely concerning himself with such practicalities as earning enough money to feed and shelter his family, and thereby propelling Louisa into the unusual role of supporting her family financially with her writing. As a teacher, Alcott developed a race- and gender-neutral child-centered pedagogy that most people found scandalous, even immoral, and that most Americans today take for granted. He helped establish a commune, Fruitlands, an early back-to-nature effort, which failed quickly but interested many other questing spirits of the time, Ralph Waldo Emerson, Nathaniel Hawthorne, and Thoreau among them. He was a frequent contributor to the Transcendentalist journal The Dial and was often mocked for his opaque prose, and yet the influence of American Transcendentalism, especially in the environmental movement, is still alive and kicking today. It was a tour worth taking and a house worth visiting.

From the Alcott home we drove to Walden Pond in the waning light. I’ve heard many people express the same dismay on seeing Walden Pond they do when they see the Alamo (“it’s so small!”), but it’s several times the size of the “lake” at Madroño Ranch, so I wasn’t at all disappointed. We crunched through the snow along the edge, noting the space between the pond’s ice and the shore while watching two men out on the ice doing something indecipherable with unidentifiable equipment. As the heatless sun began to sink behind the trees, we came to the spot where Thoreau built his cabin, now marked only by low concrete posts (see photo above), although his words remain carved on a nearby wooden sign: “I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.” As I stood there beating my hands together and stamping my frozen feet, I wondered if on a monochromatic winter afternoon like this Thoreau would have high-tailed it to Emerson’s house for a little warm food and company, as apparently he was wont to do.

Later, as we sat in a blessedly warm house in Wellesley, I began reading Martin’s volume of Thoreau and found myself beguiled, first by the slightly fustian voice of Joseph Wood Krutch, who wrote the introduction, and then by Thoreau’s own words, until Martin rather selfishly reclaimed his book. I went back to my literary farm girl, reading about the role of her father’s farm in her recovery from multiple heartbreaks.

This week, while waddling around Austin’s Lady Bird Lake (a body of water as beloved to me as Walden Pond was to Thoreau), I found myself thinking about Martin’s spontaneous overflow of powerful underlining and the odd stability of words, their capacity to be sturdy dwelling places despite their formless origins in the tohu-bohu of the human spirit. (Isn’t “tohu-bohu” a word you can live in? I do, actually, since it means chaos.) Martin’s invitation on the plane for me to join him in Thoreau’s house was a kind of evangelism, the best kind: a delighted discovery that clamors to be shared. Even though I was seated happily in Lorrie Moore’s house (which, with its love of place, is built on top of Thoreau’s) with all the doors closed and blinds drawn, Martin convinced me that the house Thoreau built was so splendid that I had to go in—which I did, grudgingly at first, but with increasing pleasure.

Hospitality from so many quarters: from the kind docent at Orchard House; between the walls of books; from my tickled husband; from the friend of a friend who opened her house to us; even in the cold empty space in Walden Woods marked off by the Massachusetts Department of Conservation and Recreation. Thoreau reached out from the past and invited us into its tohu-bohu, asking for our response and drawing from us a tiny new creation. Not bad for a crusty, allegedly misanthropic Yankee.

What we’re reading
Heather: Billy Collins (ed.), Bright Wings: An Illustrated Anthology of Poems About Birds
Martin: Jonathan Gould, Can’t Buy Me Love: The Beatles, Britain, and America

And now for the next installment in our internationally celebrated series of lists… and what could be more appropriate from the proprietors of a place called Madroño Ranch: A Center for Writing and the Environment than a list (in alphabetical order by author) of our ten favorite books about the environment?

Wendell Berry, The Unsettling of America: Culture and Agriculture
William Cronon, Changes in the Land: Indians, Colonists, and the Ecology of New England
Annie Dillard, Pilgrim at Tinker Creek
John Graves, Goodbye to a River: A Narrative
Paul Hawken, The Ecology of Commerce: A Declaration of Sustainability
Mary Oliver, What Do We Know: Poems and Prose Poems
Michael Pollan, The Omnivore’s Dilemma: A Natural History of Four Meals
David Quammen, The Song of the Dodo: Island Biogeography in an Age of Extinctions
Wallace Stegner, Angle of Repose
Henry David Thoreau, Walden; Or, Life in the Woods

Of course, we’re struck by the many wonderful and influential books we had to leave out to get down to ten, and we’d love to know your favorites. Let the arguments begin!

What we’re reading
Heather: Kate Braestrup, Here If You Need Me: A True Story
Martin: Simon Kuper and Stefan Szymanski, Soccernomics: Why England Loses, Why Germany and Brazil Win, and Why the U.S., Japan, Australia, Turkey&#8212and Even Iraq&#8212Are Destined to Become the Kings of the World’s Most Popular Sport

Last weekend was the fourteenth annual Texas Book Festival, one of my favorite events of the year. The TBF, held in and around the State Capitol, is sort of the literary equivalent of the ACL Music Festival in Zilker Park, without the dirt, pot smoke, and bleeding from the ears.

The TBF offers the public a chance to see favorite authors in the flesh (and discover new favorites) via readings, signings, panel discussions, award programs, etc. This year, my favorite session featured Dayton Duncan, Ken Burns’ collaborator on the PBS documentary series The National Parks: America’s Best Idea and the author of the beautiful companion volume of the same name.

Duncan spoke eloquently and emotionally (he actually wept a couple of times) about the importance and beauty of these treasures. I had sworn that I wasn’t going to buy any books at this year’s festival—the stack of unread books on my bedside table had long since reached life-threatening heights—but I couldn’t resist buying Duncan’s book… along with Brenda Wineapple’s White Heat: The Friendship of Emily Dickinson and Thomas Wentworth Higginson, for Heather. Still, I think I showed admirable restraint; two books, by my standards, is nothing—nothing!

Among the other notables appearing at this year’s festival were Woody Tasch (An Inquiry into the Nature of Slow Money: Investing as if Food, Farms, and Fertility Mattered), Douglas Brinkley (Wilderness Warrior: Theodore Roosevelt and the Crusade for America), and Barbara Ehrenreich (Bright-Sided: How the Relentless Promotion of Positive Thinking Has Undermined America), as well as Richard Russo, Corby Kummer, Jonathan Safran Foer, Jane Smiley, Margaret Atwood, Taylor Branch, Jeannette Walls, Jonathan Lethem, David Liss, and (an old family favorite) Rosemary Wells.

In previous years, the smorgasbord of scribblers has included heavyweights like Robert Caro, William Least Heat-Moon, Richard Price, ZZ Packer, Rick Bragg, Bud Shrake, Sherman Alexie, Roy Blount Jr., and Christopher Buckley. Local literary luminaries like Sarah Bird, Bill Wittliff, H. W. Brands, Kinky Friedman, Amanda Eyre Ward, Jim Magnuson, John Burnett, and Dick Holland usually put in an appearance as well. In fact, as used to be the case when I was young and foolish and still insisted on attending the ACL Festival, my main problem is always that so many people I want to see are scheduled to go on at the same time.

Basically, it’s just a big ol’ literary theme park, with great food (this year’s vendors included Ruby’s BBQ and Torchy’s Tacos), live music, cooking demonstrations, entertainment for the kiddies, and just about everything else a bibliophile could ask for. Plus it’s at the State Capitol, which is a totally cool building, and when the weather’s gorgeous, as it was last weekend, there’s just no better way to spend a weekend. Best of all, and unlike the ACL Festival, admission is free!

What we’re reading
Heather: Jeffrey Greene, Water from Stone: The Story of Selah, Bamberger Ranch Preserve
Martin: Adam Gopnik, Angels and Ages: A Short Book about Darwin, Lincoln, and Modern Life