I was surprised, while reading Rebecca Solnit’s fascinating Infinite City: A San Francisco Atlas, to realize that I probably know substantially more about the history of Texas than I do about the history of my native San Francisco.

Of course, this realization should hardly have come as a surprise. After all, I’ve lived in Texas for more than half my life, whereas I left California at age seventeen, for college, and never moved back. Moreover, I spent more than half of my time in Texas working for the Texas State Historical Association, mostly researching and writing local history.

Still, it was a little bit of a shock. Despite my recent purchase of a spiffy pair of Lucchese boots, I still frequently think of myself as a Californian, not a Texan. Texas is where I live, but California is where I’m from, and that can be a significant difference. Especially in the South (and Texas is in many ways as much a part of the South as of the West), where you’re from—your “people,” your frame of reference—is still as important as who you are. But while I retain vivid, detailed mental and sensory images of San Francisco and the Bay Area—the sights, the sounds, the smells, and, yes, the tastes—I don’t really know how and why they came to be. In Texas, on the other hand, I learned a lot of the stories before learning the places they explain.

Solnit’s book presents both foreground imagery and background narrative. It is a series of maps and essays which manifest unexpected symmetries or contradictions: “Monarchs and Queens,” which simultaneously maps butterfly populations and sites significant in the history of the city’s queer population; “Poison/Palate” (above), which juxtaposes some of the Bay Area’s leading “foodie” establishments (Chez Panisse, Niman Ranch, etc.) with nearby mercury mines, oil refineries, chemical plants, and other sources of toxic pollution; and so on.

In reading and looking at this beautiful book—and it really is beautiful—I have learned a lot of local history, and also experienced that rush of nostalgia that accompanies any return, be it literal or literary, to your homeland. Just seeing the names on the maps, the extant and (especially) the long gone—Playland at the Beach! the Surf Theater! Winterland! Zim’s!—brought on a shiver of memory worthy of a Proustian madeleine. As Solnit writes, “the longer you live here, the more you live with a map that no longer matches the actual terrain.” She notes that the residents of Managua, Nicaragua, long after an earthquake that destroyed much of the city, “gave directions by saying things like, ‘Turn left where the tree used to be.’”

Similarly, my San Francisco is a palimpsest, an accretion of layers and memories, things and people living and dead, real and fictional—Emperor Norton and Sam Spade, Lawrence Ferlinghetti and Harry Callahan, and countless others. All of them were and are integral parts of where I’m from.

But that very notion of being from someplace is somewhat vexed. Locals say “I’m from here” all the time, but to me saying you’re from someplace usually implies motion, absence, a sense that you’re no longer there—that you’ve left it behind. In the United States, we have traditionally defined ourselves as an entire nation of people who are from somewhere else. My mother was born in Italy and my father in Brazil (though his parents were born in Scotland and Austria), which makes me about as American as you can get. After all, even the so-called Native Americans who were here before European contact originally came from somewhere else, presumably across the Beringian land bridge in pursuit of mammoth and bison.

In a fundamental sense, then, ours is a culture built on the sense of limitless opportunity awaiting us just beyond the horizon, just over that next rise. We have never stayed put, geographically or socioeconomically: the Louisiana Purchase, Manifest Destiny, the Mexican War, the California Gold Rush, the Civil War, and the Dust Bowl all pushed or pulled the new nation westward, across the continent, and we still seem to believe that, if we really make a hash of things where we are now, we can always pick up and move on to some uninhabited place (traditionally further west) where we can start fresh.

And some astonishing transformations did indeed take place out on that peripatetic frontier: a poor boy from Kentucky by way of Indiana and Illinois turned into Abraham Lincoln, an itinerant river pilot and printer’s apprentice from Missouri headed west and turned into Mark Twain, and so on. Even after Frederick Jackson Turner famously proclaimed the end of the frontier in 1893, our restlessness did not cease. In the twentieth century, the promise of economic opportunity and escape from Jim Crow drove the great migration of African Americans from the South to the north and west. Our current president, a son of Kansas and Kenya who was born in Hawaii and spent part of his childhood in Indonesia, is merely the most recent testament to the persistent power of the American notion of mobility, whether upward or westward.

Back to the Left Coast. In Infinite City, Solnit writes, “A city is a particular kind of place, perhaps best described as many worlds in one place; it compounds many versions without quite reconciling them, though some cross over to live in multiple worlds—in Chinatown or queer space, in a drug underworld or a university community, in a church’s sphere or a hospital’s intersections.” This is inarguably true of San Francisco, or for that matter any city; I would only add that it is no less true of a farm, a rural village, or any place that has borne the prints of generations of human existence. Like, say, Madroño Ranch.

All maps, even ones as imaginative and beautiful as the ones in Infinite City, are by definition reductive. They represent reality in two dimensions; we experience it in (at least) three. Maps, in other words, lack depth, and depth is what makes us and our world real. We don’t inhabit places flatly (though we certainly inhabit plenty of flat places!), but in depth, both geographical and temporal.

That depth is what we hope to gain personally at Madroño Ranch and also encourage in others, but we know we cannot simply will it into being. It grows and accumulates over time, and with care and effort; it is, in fact, a kind of rote learning, going over the same ground again and again, literally and metaphorically, until you have worn a track into the surface. John Muir noted that “Most people are on the world, not in it”; one of our hopes, now that our Austin nest is empty and we’re at the ranch more often, is that we can gradually learn to live and move in, not just on, this small part of the planet.

This is why Heather has grown increasingly ambivalent about travel; the world is full of fascinating places, but we’ve barely scratched the surface of our own. We hope it’s not (or not just) provincialism, but we want to be here.

What we’re reading
Heather: Adam Gopnik, Angels and Ages: A Short Book About Darwin, Lincoln, and Modern Life
Martin: Steven Rinella, American Buffalo: In Search of a Lost Icon

We recently led a seminar on Madroño Ranch as part of the annual Summer Literary Festival at Gemini Ink, a writing center in San Antonio. The theme of this year’s festival was “What Would Nature Do?” and in our seminar we read and discussed works by Wendell Berry, Annie Dillard, Michael Pollan, Ellen Davis, Lewis Hyde, and Mary Oliver. We also asked the participants to write a brief “geobiography” (as “A Native Hill” is described in the collection The Art of the Commonplace: The Agrarian Essays of Wendell Berry), a statement of how they consider themselves rooted in a particular place. Here’s a slightly modified version of what I wrote:

I am a native of the Bay Area, a place that everyone thinks is among the most beautiful in the world. I was born in San Francisco and grew up in Marin County, just to the north of the city across the Golden Gate Bridge; I lived amid the winding hillside lanes and towering redwood and eucalyptus trees of Mill Valley, beneath Mount Tamalpais, until I was eighteen, when I went off to college in Massachusetts. There I met the woman I would marry, a native Texan, as I recounted in an earlier post; she had a job lined up in San Antonio after graduation, I followed her there, and I never lived in California again.

Why did I so thoughtlessly, even eagerly, put California behind me when I left home? In part, I realize in retrospect, I was hoping to escape some not particularly unusual or interesting adolescent angst and family tensions, and to redefine myself as a brighter, happier person in a new setting, among strangers. (I say nothing of the futility of such an effort; I was young and foolish.) Massachusetts, and then Texas, seemed like blessed opportunities, and I clutched at them desperately.

Only… almost despite myself, I continued to count as my closest friends two men I had known almost since birth. Brad and I met in kindergarten; Hans came a few years later. The three of us went all the way through elementary and high school together, and all three of us headed east to college, Brad to Harvard and Hans to Yale. (Both, I hear, pretty good schools.)

After college, I ended up in Texas, while Brad and Hans returned to California, to Los Angeles and San Francisco respectively. Last year we all turned fifty, and Brad decided we should celebrate the milestone together. So, after much back-and-forthing (all three of us are married with children, with all the scheduling complications that implies), we arranged to meet in San Francisco in March and spend a day in Marin hiking along the California Coastal Trail, six miles from Tennessee Valley to Muir Beach and back again. It was a beautiful day, we had a wonderful time, and we agreed to make this little reunion an annual event. This year, again, we gathered in March and spent the day hiking in Marin, this time at Pierce Point Ranch on the northern end of Point Reyes National Seashore. Next year we may meet in L.A., in deference to Brad; the year after that, perhaps we’ll meet in Texas.

One of the wonderful gifts this time with Brad and Hans has given me is the opportunity to reconsider my relationship to California. My father was something of an outdoorsman, and when I was a child we went camping and hiking in Marin County, in the Sierras, and even up the coast to Oregon and Washington. For various reasons, I never really enjoyed these trips as much as I should have—or so I thought. But hiking to Muir Beach and at Point Reyes with Brad and Hans forced me to confront an unexpected and long-suppressed truth: I loved this land, and felt comfortable in it in a way I still don’t in Texas, even though Texas is now home. I gloried in half-remembered vistas, in the way the glittering ocean and the crepuscular redwood forests and the rolling dairy farms butted up against each other; in the cypress and eucalyptus and madrone and laurel and manzanita, and in the blooming flowers whose names I’d never learned; in the cool, salty air; in the fog banks drifting in over the Pacific.

I felt as if a long-shut door in my head had been wrenched open again, and I could look out, for the first time in years, onto the bright green hills of a place I’d forgotten, or almost forgotten—a place I knew at once, with an almost literally breathtaking shock of recognition. I now realize that, having grown up amid such gentle but dramatic beauty (the suggestive, if erroneous, local legend has it that Tamalpais means “Sleeping Lady”), I came to believe that the world is an essentially beneficent place, and that the land is an unfailing source of pleasure and comfort. (I might have reached a different set of conclusions had I grown up in, say, Orla, Texas, or Barrow, Alaska.)

Mostly, however, I realize how much I took for granted, and how unbelievably lucky I was (and am). Over the years I’ve wasted a lot of time and energy in attempting to deny or at least rewrite my past, but now I feel as though I’ve been given a second chance to connect, to learn this land—not as the place I live, perhaps, but as the place I’m from, the place that formed me.

What we’re reading
Heather: Kathryn Stockett, The Help
Martin: Dan O’Brien, Buffalo for the Broken Heart: Restoring Life to a Black Hills Ranch

Funny how things turn out sometimes.

I was born and raised in the San Francisco Bay Area, went to college in Massachusetts, and grew up (to the extent that I grew up at all) with fairly liberal political views. I am neither a hunter nor a serious fisherman. I have owned a series of foreign cars, but never a pickup. I have never owned a cowboy hat, either, and the first pair of cowboy boots I ever bought was from a hip boutique on the King’s Road in London. And I really, really hate the Dallas Cowboys. I am, in other words, a Yankee.

And then I fell in love with a girl from Texas, and everything changed. I have lived most of the last three decades—virtually my whole adult life—in the Lone Star State, a fact which still astonishes me and no doubt puzzles many of my childhood and college friends, to whom Texas is a vast desert filled with cacti, rattlesnakes, and gun-totin’, snuff-dippin’, rip-snortin’ Republican rednecks. Dangerous, in other words. But, almost thirty years later, here I am.

Heather and I were classmates and fellow English majors at that Massachusetts college, and we fell in love and/or lust during the spring of our senior year. Not only was she gorgeous, smart, and funny, but, being a native Texan, she was exotic, too. Her family lived in San Antonio until she was ten, when her father got a job with the gummint and they moved to the Washington DC area, but her father’s father still lived in the Alamo City, and she had a job lined up after graduation as a reporter for the late and not-terribly-lamented San Antonio Light.

I, on the other hand, had no job prospects whatsoever—planning ahead has never been my strong suit—and figured I might as well follow her to Texas. (I actually wrote to the San Antonio Spurs offering my services as a short, untalented point guard who couldn’t shoot, pass, jump, or go to my right, and received a surprisingly gracious rejection letter from Bob Bass, who was then the team’s general manager.)

After graduation, we embarked on an epic cross-country journey, driving in Heather’s un-air conditioned Toyota Tercel from Williamstown to San Francisco, by way of Washington DC, New Orleans, Houston, San Antonio, and Aspen, to visit my (divorced) parents, and then back to San Antonio to begin what we naively thought of as our adult lives.

The trip was full of incident, but the high points were our stays in Houston, where we visited Heather’s formidable maternal grandmother, and San Antonio, where we spent a week with her even more formidable paternal grandfather.

Boppa took one look at me, with my bushy beard, long hair, and earring, and decided, not unreasonably, that I was Bad News. The famous family story is that when we left San Antonio to push on to the West Coast, he called Heather’s father and asked, “Now where are those two going again?”

Heather’s father replied that we were heading to San Francisco to see my parents before eventually returning to San Antonio. There was a thoughtful pause, and then Boppa observed, “Lotta motels between here and San Francisco.”

When we finally made it back to San Antonio, we took him out to dinner twice a week, on the nights when “the help” was off; on Thursday nights we went to the Argyle, and on Sunday nights to the San Antonio Country Club. I drove the car, opened the doors, fetched him the one weak Chivas and water he was allowed per night, and generally did my best to ingratiate myself, but for the rest of his life (he died about six months later), he never called me anything but “Whiskers,” as in “Whiskers, get me a drink,” or “Whiskers, go git the car.” I’d tug on my forelock or fetlock or whatever that thing is and say, “Yes, sir,” and go off wondering what the hell I’d gotten myself into.

That was a tough year, in a lot of ways. I found work as the editor of a little weekly newspaper, the San Antonio Citizen-News, that served the southwestern part of the city around Lackland Air Force Base; since we were living in north-central San Antonio, I neither knew nor cared anything about that part of the city, so my job was not terribly fulfilling. I bought a used Fiat 128, which consumed several quarts of oil a week and was (in the way of all Fiats) almost comically unreliable, so twice a day I’d set off to drive across the city never knowing if I’d actually arrive at my destination, which didn’t exactly help my frame of mind. One hot afternoon the Fiat conked out in the middle of Broadway, and Heather and I had to push it several blocks to my apartment.

My most memorable co-worker at the Citizen-News was Oscar, the sports editor. He was a bald, stocky retired Air Force sergeant, and he cussed constantly and with amazing creativity. He also had a notorious temper; I was told that he carried a baseball bat in the trunk of his car, and if another driver cut him off or otherwise offended him he would pull it out and go to work on their fenders and taillights. Oscar was also apparently a creature of habit; the story was that once, when he came home to discover that his wife had rearranged the living room furniture, he wordlessly got out his toolbox, moved the furniture back to its previous positions, and nailed it to the floor. In fact, he was always perfectly nice to me, but I definitely tried to stay on his good side.

Perhaps unsurprisingly, Heather and I broke up after a year or so in San Antonio. She moved up to Austin to begin graduate school, and I, once again flying blind, decided to move to Washington DC, where I landed a job on the staff of Sen. Bill Bradley. I enjoyed my time in Our Nation’s Capital, at times perhaps a little more than was good for me; I’m not sure my liver has ever forgiven me. But I got my feet under me a little bit, found out I could more or less survive on my own in the world, and eventually, a year or so later, Heather and I patched things up. I moved back to Texas, this time to Austin, where I too began grad school, in American studies. We got married a couple of years later, and the rest, as they say, is history.

And now here we are, in the second decade of the twenty-first century, and I find myself the would-be co-proprietor of an enterprise that seeks to celebrate and emphasize the unique character of Texas, or at least the beautiful part of it known as the Hill Country. Our kids have grown up in Austin, and while all three have elected to leave the state for college (the youngest, a high school senior, is bound for Ohio next year), the older two have already come back. They’ve come back home.

What we’re reading
Heather: Heather Rogers, Green Gone Wrong: How Our Economy Is Undermining the Environmental Revolution
Martin: Katherine Howe, The Physick Book of Deliverance Dane

Last week, during a visit to San Francisco that also took us to the nearby Djerassi Resident Artists Program, Martin and I spent a day exploring the Point Reyes National Seashore with his childhood friends Brad and Hans. Before setting off on our hike, we wandered into Point Reyes Books and wandered out again with the first two volumes of the West Marin Review, a nifty literary journal whose inaugural issue considers Wallace Stegner’s claim that “[w]e simply need… wild country available to us, even if we never do more than drive to its edge and look in. For it can be a means of reassuring ourselves of our sanity as creatures, a part of the geography of hope.”

Even if I can’t give coordinates for the geography of hope, I like the idea that it might exist on some map buried deep under the mess in my brain’s glove compartment. In current mainstream environmental thinking, however, humans and wilderness cannot exist together because humans are an inevitable contaminant. Having spent the drive from San Francisco to Point Reyes with my face glued to the car window taking in an enticing new vocabulary of birds, I’d like to think that the geography of hope includes a place where humans are part of wilderness, not set off from it.

Our hike took us north between Tomales Bay and the ocean, through herds of tule elk, watching waves crash on the rocky shore and tender crocuses and poppies huddled in the chilly wind. As we returned to the parking lot at Pierce Point Ranch, we heard the whine of chainsaws; the Park Service was taking down an enormous Monterey cypress, maybe 75 feet tall. The presence of rot in some branches posed a threat to the uninhabited cluster of historic ranch buildings at the head of the trail. The decision to cut down the tree seemed iconic of the destruction endemic to human activity in the natural world.

So it was with interest that I saw an essay in the West Marin Review entitled “The Fiction of Wilderness,” by Mark Dowie, the former editor and publisher of Mother Jones. Dowie suggests that the Wilderness Act of 1964 set in stone the idea that wilderness was best preserved by balkanizing large tracts of land and ejecting any permanent residents who might have lived there, as the Miwok tribe was ejected from Yosemite. He says this creates “a commodified wilderness… a deliberate charade, a culturally constructed neo-Edenic narrative played out for weary human urbanites yearning for the open frontier their ancestors ‘discovered’ then tamed—a place to absorb the sounds and images of virgin nature and forget for a moment the thoroughly unnatural lives they lead.” (Ouch.)

But Dowie suggests an alternative. His research revealed that many aboriginal peoples have nothing analogous to the Western conception of wilderness and were stumped when he tried to explain it to them. The closest equivalents in their languages were domesticated ones: “back yard,” “big farmyard,” “food,” or “pantry.” There was, in other words, no sense of separation between the people and the landscapes they lived in. Dowie quotes a Tarahumaran ethno-ecologist from Mexico who says that in his culture the landscape is granted the same love and affection as family, resulting in a “kincentric ecology.”

Dowie hopes that environmentalist notions of wilderness can change to include the possibility of human activity intimately embedded within the land in a mutually profitable relationship. When we see ourselves as apart from a pristine nature that exists outside the bonds of kinship, we are more likely to commodify and exploit it.

Serendipitously, my reading took me from the West Marin Review to a publication that our friends Hugh and Sarah Fitzsimons of Thunder Heart Bison gave me just before we left for San Francisco. Entitled Five Ways to Value the Working Landscapes of the West, it may not rise immediately to the top of the New York Times best seller list, although it makes for compelling reading. The first essay, “In Praise, and in Appraisal, of the Working Landscapes of the West,” begins with this heartening pronouncement: “The simplest fact about Western ranches tends to be the one which most folks tend to forget: raising range-fed livestock is one of the few economic activities that produces food—and potentially ecosystem health and financial wealth—by keeping landscapes relatively wild, diverse, and resilient.”

We’re planning our first bison harvest in the near future and have hopes of developing a food culture that will feed whoever happens to be staying at Madroño Ranch and perhaps others in the immediate community as well. Our concern can’t stop at our bellies, though: what feeds us must be fed as well, and well fed. The essay’s authors, Gary Paul Nabhan and Ken Meter, write of working landscapes: “if we commit ourselves to eating their bounty, we derive a good portion of our nourishment from the very ground on which we stand. We do not stand apart [my emphasis] from the energy and water flows of our home ground. Instead, they work through us, and we work because of them. The land is not mere scenery suitable only for tourism and leisure. It is a functioning community in which we either live well or poorly, depending on how efficiently and conservatively we participate in the land’s work.” And then, as the clincher, they quote my new hero Henry David Thoreau: “[P]erhaps we are here to ‘meet the expectations of the land’ and not the other way around.”

This whole blog post may be nothing more than a stemwinding rationalization for contaminating the rapidly disappearing Texas wilderness. But I hate the idea that there is no room for an ongoing and mutually satisfying exchange between the landscape and its human inhabitants. We need guides to lead us from here to there, though, guides who know both the intimate history of the land and the capacities and limits of new technologies. Increasingly, these guides are ranchers like Hugh and Sarah who cherish their working landscapes and who, in return, receive its abundance, even in lean times. We’d like Madroño Ranch to find its own place in this geography of hope.

What we’re reading
Heather: Henri J. M. Nouwen, In Memoriam
Martin: Jay Parini, Promised Land: Thirteen Books That Changed America